A guiding force in American glassblowing, Moore taught Pilchuck for many years, brought in Italian glass masters to expand the program, and influenced legions of artists (including local glass stars Preston Singletary and Dante Marioni) through her own studio.
I’ve only interviewed him once, for a story I wrote in Seattle magazine almost 10 years ago, “How Seattle became the epicenter of glass art. “
I remember being nervous about calling this glass giant – Moore loomed in my mind as a VIP, who along with Dale chihuly (his mentor) helped shape the studio glass movement in the United States. His artistic style is geometrically impeccable – all spheres, rings and cylinders, with solid colors suspended as in water or in orbit. But over the phone, he immediately put me at ease with his kindness and a funny comment that I can’t remember, even though I remember the relief of laughing.
ArtSEA: Notes on Northwest Culture is Crosscut’s weekly arts and culture newsletter.
When i interviewed Debora Moore, his wife and fellow glassmaker, for a 2019 Crosscut story about his own gorgeous work, I thought I might finally meet Benjamin (“Benny” as his community knew him) in person, at the studio, and at the Hot Store that the two have shared for decades in the Chinatown-International District. It turned out that he wasn’t there that day, but his exhibited work spoke for itself, its quiet purity of form was a sort of buzzing meditation.